The New Music Video from First Dirt Artist 60 East Off of his New Mixtape Mood Muzik
It’s common to hear today’s rap fans dismiss
middle-aged artists as “washed up” old heads with nothing more to offer. While I agree that there are some rappers (young and old) who are better off bagging grocery than trying to “make it rain” in the club, this argument is a knock on the bevy of able veterans who’ve helped keep hip-hop relevant.
There’s only room if they can still produce. Its as simple as that. You don’t have to be making music currently to maintain the fact that you are a legend. We don’t need to hear their newer stuff to appreciate the music they made that actually matters. If they retire, its not like what they did goes away. That history is still there and will never leave. And no, music artists of any genre don’t get better with age. In most cases, the best stuff is the first album. Nas’ best: Illmatic. Jay-Z’s best: Reasonable Doubt. Dr. Dre’s best: The Chronic. Sometimes, they get a little better, but at a certain point, they peak and everything else pales a little bit in comparison. Jay-Z, Nas, and Eminem can still play, but I think I’ll check out Curren$y before I check out Ice Cube’s new album.
Legends are Always Legends
I personally believe that to this day aging rappers still produce the most lyrically inclined music. Modern day rappers want to talk about who they killed and who they had sex with, when old school wants to discuss life and what it means. Why would I want to listen to Lil Wayne make up a word just to make a rhyme when I could put on some Sir Lucious Left Foot and hear Big Boi spit fire. Or why would I listen to the Game dis everyone alive when I could listen to Jay-Z flow like water while ignoring his childish comments. No I believe the exact opposite, I say we stop letting lame mainstream rappers emerge on to the scene until they can prove they know what real rap is
Imagine If soulja boy was vintage
If it were not for the greats when you had to actually have talent I don’t know what we’d do now. I can out rap most of these clowns nowadays.—Guest bostic
Definitely Fine Wine
Rakim said it best “Timeless, cause age don’t count in the booth, when your flow stays submerged in the fountain of youth” That being said, I certainly don’t mind “aging” rappers making music. If you can still flow and have a passion for it, then you can go ahead and do whatever you please. Besides, with all these new and young rappers coming in to Hip Hop today we need the elder statesmen to stay and make music. To teach the young ones a lesson and to help to keep the music alive.— Guest bigpoppa1115
i too cherish older rappers its like looking at ancient Egypt and seeing the mighty pharaohs who built this genre and as long as they can create something worthwhile it really dosent matter i mean think about it there are old gospel and rand b singers still gardnering attention why should hiphop be restricted to kids who know so little of its roots and true meaning not just rump shaking and club hopping but expressing oneself artically i myself am a 16 year old rapper heavily influenced by 90’s rap and without it we’d just be another fatherless child struggling to find our way.
Fine Wine or Fast Food?
Any rapper who has at least put out a classic album should never put down the mic. The whole thing about a “washed-up” rapper at age 35-40 is bogus anyway; a rapper can be 25 years old and become washed-up because he’s not “bringing that heat” from his first album, so age doesn’t matter. The last thing I care for is age, because musicians in any genre are supposed get better with time, not worse. Of course they’re not gonna sound like their 25-year-old selves, but that doesn’t make any album any worse. And no one is gonna get me to say that hip hop is dead, but it is, it’s because of the lack of respect for the older rappers. Hip hop wouldn’t be what is if it wasn’t for the older generation. Not to mention that this is a culture, not a sport. Joints and bones wear out, but if a rapper is that good, he can keep going until he becomes a mute or goes deaf. There are more important issues with hip hop than age anyway, like a lack of positivity and the female dilemma.—Guest Mark Sylvia
Better with age
Well as with wine, rappers get better with age. If you listen to most middle aged rappers today and compare them to how thay sounded 10 yrs ago, you’ll find that they make alot of sense now. A good example is Cube. In his most recent album he actually he got lots of advice for the younger generation, which is how it should be. Just like in African Societies, the elderly share their life experiences so that the youth cannot make the same mistakes they did; the case should be similarion hihop.—Guest Lumumba
Where are the instant classics?
All the young rappers are standing in the shadow of the older ones, that’s my opinion. If they made half a reasonable doubt or half an illmatic they would be stepping out of the shadow. I think the older rappers are the reason why the whole rapscene still makes sense. I think they will know their time has passed when there’s an instant classic from a younger rapper, but the truth is that no young rapper seems to be capable to produce that kind of albums anymore. No?—Guest Bob
They built this house!
Is there room? It’s a tragedy that this question even has to be asked! The names mentioned in your article along with their predecessors are the reason that this genre has exploded to what it is today. I was just thinking the other day when Michael Jordan was introduced into the basketball hall of fame, that the greats always seem to go by too fast. I know I’d never get tired of seeing M.J. hit the last minute buzzer beater to win the game or his awesome air time. There are so many awesome talents in sports that are rushed into retirement for the next up and coming rookie of the year. We should be so thankful that it doesn’t require the ultimate body to be the hip-hop equivalent of Michael Jordan. With hip-hop, we don’t have to set age restrictions. As long as the gift is there and they results are the same, age definitely should not matter. We should embrace the fact that it doesn’t! Don’t rush those who can still perform into retirement! Cherish them!—Guest Stacy Pearson
Older Rappers Lead the Way
I have a friend who exists on the other side of the hip hop spectrum. I like older rappers and the younger rappers that emulate them, and she likes the rappers that rap about sex and the club who should take a lot of pointers from their elders on how to rap. I respect both equally for what they’re able to accomplish off of their talents, but the same respect should be paid to all rappers equally and if not, more to the ones that put rap on the map.—Guest David
One nearly died, the other is fighting Lupus. Timothy Rhyme and Nay The Producer (First Dirt) are trying to make the Comeback Of The Century, literally.
Timothy Rhyme nearly lost his life on July 18, 2011. He bled out internally and almost met the man upstairs. Since that traumatic day, he has bounced back like James Blake. Shortly after his recovery, he moved to LA to be closer to his daughter, got into CSUN, has made some significant strides in his music career, and kept his focus on helping people.
Nay The Producer was diagnosed with Lupus August 2012. She spent the entire month of October 2012 in the hospital. This flare up was so severe it caused fluid in her lungs, fluid around her heart and two blood transfusions. To go from a self reliant, hard working woman, to needing the assistance of a walker and cane to do menial things has put her in a hard spot. Regardless, she keeps fighting and hasn’t let this unrelenting disease stop her from moving forward.
Both have seen their lives be flipped upside down and completely altered forever. This campaign is an attempt to raise funds to put together an amazing album but it subconsciously is touching the warrior spirit that we all have. Some people would have let their circumstances get the best of them but Timothy Rhyme and Nay The Producer would not let defeat be a word that described them in this story.
This campaign is important for several reasons. Not only will it allow Tim and Nay to tell their story. But it will allow them to inspire others and show other people in similar predicaments that there is some hope and that they aren’t alone. Music is one of the most powerful tools in lifting a persons spirit and this is one of the main objectives of this album. In a world where most of the messages in music are about “cool” stuff and a glamorous life, Tim and Nay attempt to show that you can still make good music with a good message.
If you have ever faced a challenging time in your life and just wished you had that little nudge to get you to the next step, this is your chance to be that to someone else. This is your chance to be apart of the Comeback Of The Century!
What Your Generosity Will Fund
Through experience, Tim and Nay have figured out how to release a successful album. They each have years and years of experience in this industry and have seen the formula first hand. The main components are:
1.Mixing / Mastering
2.Album Cover Design
We budgeted every penny and used fair estimates of making sure we didn’t sacrifice quality. If we are going to ask people to invest in us we want to make sure that their money is used to create the best product possible.
If for some reason we are unable to reach our goal. Your investment will still be used for this album. We might have to cut some corners and go the cheap route on some of the extra costs but either way it will go into the final album.
Tim and Nay are really hoping to set a tone in the hip hop world. They are consistently breaking down barriers when it comes to music arrangement and content within the hip hop community. To be able to release this album in the manner they would like to would mean that the younger generations will have a new message to relate to. In a world where negativity and self destructive tendencies reign supreme, this is a breath of fresh air to those that are looking for more honest depictions of the world they live in.
In the end, Tim and Nay hope to inspire future artists, students, and people in general to not be afraid to be themselves. They want to show that you can be yourself and still be successful. That you don’t always have to conform to what you see on TV to gain some notoriety.
The impact will hopefully be felt for generations to come. And when the next generation feels like they’re down and out they can be reminded that Tim and Nay made the Comeback Of The Century and so can they.
Other Ways You Can Help
We understand that times are hard and that you might not feel comfortable giving some strangers your hard earned money. Rest assured that you even reading this has helped our cause and for that we are grateful. If you believe in this campaign and want to help in some other ways you can:
Get the word out to your friends and family and make some noise about our campaign.
Show someone that you might think would be inspired by this story.
Help us go viral.
Tell people in power.
Tell school officials about our empowering goals.
Go to www.firstdirt.com and purchase other music.
Joey Atilano, better known as 60 East, first got into hip-hop as a kid watching his big brother work on his own music. Since then, his reputation has grown steadily, thanks to a few high profile gigs and some legit tracks. One of those tracks is “Motivation,” which features the lyrics, “You can teach motivation, you can’t fake motivation, so please keep hatin’, ‘cause I could use the motivation.” That’s all well and good, but only issue is that not a lot of people appear to be hating.
Not every artist has a happy beginning but sometimes it’s the effect of a dark event that can shape and mold us into what we need most. Artist 60 East is fully aware of the connection between a friend’s and father’s death and his prominent succession as an up-and-coming hip-hop artist of the Inland Empire.
It all started innocently enough, 60 East was a young sibling attached to his older brother’s musical ambitions which included friends working on a label. “I was always around listening and watching them rap, record, write, perform, etc. and at 9 years old that’s when I first decided that’s what I wanted to do with my life. This phase continued until around 2006 when the main artist on my brother’s label ‘Spaceghost’ was murdered in Ontario.
”60 East fell into limbo for a while, dropping out of high school and working construction to make ends meet but eventually he was reunited with a few of his brother’s old friends. It was the kick he needed to jump back onto his destined musical path was losing his father to cancer in 2010. “That’s when I decided was going to put all my effort, strength, time and resources into making it in the music industry,” says 60 East.
Passion for 60 East’s loved ones fuels his lyrical creativity. If you’re not a fan of life stories put into song, you might not get the same desired effect as someone who has gone through similar events. “I am very personal and open with my life and my experiences. My goal at every show is to touch someone through my music whether it’s done by describing a scenario they have been through or sharing one of my own stories and having them be able to relate to it,” says 60 East.
60 East should be on your radar by now since him and his group FIRST DIRT were the opening act at this years 2013 PAID DUES FESTIVAL and also head lined the D.I.Y Fest ( Do It Yourself Festival) and the E.O.S Fest (End Of Summer Festival) so if you have’nt heard of him keep an eye out for 60East and FIRST DIRT!
Three weeks ago, Kanye West got pretty fired up at the listening party for Pusha T’s new album, launching into an impassioned speech about how he was “the heart of the muthafucking culture.” Now, listening to the album, it’s not hard to grasp why.
Pusha made his name as one half of coke-rap duo Clipse, but since signing on to West’s GOOD Music label in fall 2010, he’s been striking out on his own. Now he’s here with his first solo album, titled My Name Is My Name (after a line from The Wire).
We’ve already heard singles “Pain,” “Numbers on the Boards,” and “Sweet Serenade,” and seen the video for the Kanye West and Joaquin Phoenix-produced “King Push.” You can stream the full album, which also features Kendrick Lamar, Pharrell, Rick Ross, Kelly Rowland, Future, 2 Chainz, The-Dream, and Kanye West (who makes an uncredited appearance on “Hold On”), plus production from Kanye, Pharrell, The-Dream, Hudson Mohawke, Swizz Beatz, and more..
Diamond Supply Co The limited edition Diamond Supply Co. x PUSHA T collaboration shirt for his new album #MNIMN will be available today at Noon PST on diamondsupplyco.com & at the Fairfax shop in Los Angeles ONLY!
I am not gona lie, this is by far my favorite collaberation from Diamond Supply to date.
My Favorite Skate brand and rapper came together and created this fresh limited edition T-Shirt. Make sure to order you one or go down to the Diamond Mine on Fairfax and pick one up also make sure to pick up A copy of M.N.I.M.N ( My Name Is My Name) the long awaited Album by Pusha T Available 10-8-13
To be honest I think Noa James and Rick Scales Killed it! Can’t say much for the rest. The Swag Cholo (king lil g) was garbage just another lil rob swapmeet rapper, Reverie was good and I stopped watching and listening after that. But that just my opinion, watch it and see for yourselves and tell me what you think??
The Cypher Effect (S2E24) – Noa James / King Lil G / Reverie / Ric Scales / Self Provoked
Lead By DJFM Of The Psycho Realm
Instrumental Produced By DJFM
Noa JamesTwitter: @NoaJames
King Lil GTwitter: @KingLilG
Ric ScalesTwitter: @RicScales
Self ProvokedTwittter: @SelfProvoked
Shot at The Basement 818 in Sherman Oaks, CA
Directed By: JDS Films
Edited By: JDS Films
Camera 1: JDS
Camera 2: (Mr)Arash
Camera 3: Eddie
Camera 4: @AgentSpits
Camera 5: @JaeisLA
https://www.facebook.com/FuckYourHustleA JDS Films Production